Tag: Neoclassical

Alas! She’s Gone, Part 2

Neoclassical mourning jewel showing father and children next to a tomb inscribed 'Alas! She's gone'. In the Heavens is a cherub holding a sign stating 'GLORY'.

In a connection between a parent and child, the basis of the family is measured by their love and their faith. In this Neoclassical jewel, all this is represented, from the very positioning of the family, to the literal depiction of the heavens above. In this second part of the analysis of the jewel, let’s… Continue reading Alas! She’s Gone, Part 2

Alas! She’s Gone, Part 1

Neoclassical mourning jewel showing father and children next to a tomb inscribed 'Alas! She's gone'. In the Heavens is a cherub holding a sign stating 'GLORY'.

Personal elements of mourning are individual and unique. There’s no prescribed way of behaving when one is in grief, but the way it manifests in fashion and art are the unique ways that a person can display their grief. In the post c.1760 period, the Neoclassical movement allowed for a unique outlook on how death… Continue reading Alas! She’s Gone, Part 1

Overview of Mourning Miniture Portraits

Personal identity and representing the family in jewellery and objects is as much a nationalistic symbol, as it is one of self pride. The rise in popularity of the miniature portrait has a direct line to royal patronage and suits the changing value of the upper class. With the Renaissance offering a new way of… Continue reading Overview of Mourning Miniture Portraits

1760-1800, Neoclassicism in Mourning Jewels

Engraved gold frame, ivory painted in watercolour with a miniature of a woman handing a heart pierced by an arrow to a figure of Death, surmounted by an inscription I ALONE CAN HEAL The back of plaited hair crossed by the name Fergusson on paper.

Facing the ideals of the Enlightenment and a new appreciation for classical history, the period between 1760 and 1800 created the underpinnings of identity in mourning and sentimentality that exist today. Politics and economics are the key supporters of popular thought; without an action or a reaction from a hierarchical body, there would be no message… Continue reading 1760-1800, Neoclassicism in Mourning Jewels