Sarah Honlett, Age 14 Moves ‘Toward the Heavens’ in this Neoclassical Brooch

Neoclassical Sepia Brooch Faith Hope Charity

Faith, hope and charity are of the most typical symbols during the 19th century; their nondescript sentimentality and adherence to religious motifs make them popular sentimental tokens throughout jewellery and art.

This piece shows just how they evolved during the 18th century and how well they could be combined with other motifs. Specifically, the symbol of the anchor (hope) is held by the mourning female (or the idealised depiction of woman) in neoclassical dress pointing towards the heavens.

The willow frames the piece delicately. Interestingly, faith is combined within the anchor of the cross, but also mixed with neoclassical symbolism, which is a conflict of ideology, as neoclassicism uses pre-Christ thought. However, the time and the place where this was created with of course ecclesiastical in nature, regardless of popular thought or art. Adversely, it may be seen to be an anchor without the cross.

Neoclassical Sepia Brooch Faith Hope Charity

The age of the subject shouldn’t be discredited, either. Sarah was 14 upon her death, so there is the element of innocence within the symbolism. Rather than the heavy grieving of the female subject, there’s the taciturn calmness and almost a pleasant expression of peace of the subject’s face as she points towards the heavens. One could suggest that the age of the subject was too mature to show the widow/mother figure in sad grieving and too young to show relationship connections other than immediate family (neither husband nor child), hence there is a serene gentleness in the method of presented grief.

Neoclassical Sepia Brooch Faith Hope Charity

Christian symbolism is rife within neoclassical art, whether later contemporary thought applied a set of ideals towards this or it was the intention of the original artist is ambiguous and hard to discern. What is to be remembered is that romanticism and neoclassicism as art forms were fashion; social convention and thought in traditional religious activity was unchanged and evolved. For more on the different nature of symbolism, check the Symbolism section of Art of Mourning.

Country: England
Year: 15th March 1788
Dedication: Sarah Honlett Age 14

Follow Art of Mourning on Instagram

@instagram.com/artofmourning

@instagram.com/artofmourning

Related Articles

Mourning jewellery, fashion and art cover a wide variety of products over time.
Below are some articles that will help you learn and identify some of these amazing pieces of history.

Mizpah and Victorian Sentimentality

Mizpah jewellery defined the Victorians. Learn how and why in this essay

Read more   

Grape Symbolism in Jewels

The Museum of Whitby Jet is a genuine establishment of living history. Combined with the store W....

Read more   

Myrtle Symbolism in Jewels

The Museum of Whitby Jet is a genuine establishment of living history. Combined with the store&nb...

Read more   

Mizpah and Victorian Sentimentality

Mizpah jewellery defined the Victorians. Learn how and why in this essay

Read more   

Grape Symbolism in Jewels

The Museum of Whitby Jet is a genuine establishment of living history. Combined with the store W....

Read more   

Mizpah and Victorian Sentimentality

Mizpah jewellery defined the Victorians. Learn how and why in this essay

Read more   

Latest Lecture

Latest Lecture

Podcast Interview: A Thousand Facets Podcast

Please enjoy my recent podcast with Haunted History Chronicles, where I take you on a journey thr...

Watch the webinar