You’ve discovered a treasure: unique, beautiful, interesting, an asset to your collection and within your fiscal reach! Buy, buy, buy! Well, that is all very well and good isn’t it? But what of that dilemma when there is a lovely group of options on the market – all comparable, all lovely – of which you can only afford one? Hmmm? That’s where it gets a bit tricky.
Have you read this description: ‘…lustrous pearls surrounding a glazed locket compartment containing woven hair…’. I imagine that you have if are interested in mourning rings. It is a description of the classic Georgian pearl mourning ring, you know the ones, rectangular or possibly square thick glass under which there is woven hair of the deceased surrounded by pearls of varying quality, set in gold, ribbed band, split shoulders, and so on. I knew I wanted one. I felt it was important to have an example of this type of work. However, they were so popular at the time (early 19th C) that many have survived and there are a number of them available on the market. So which one should I get?
I decided on this one and it was really a process of which one ticked the most boxes for my criteria. There you have it – know your criteria. What is it that you really value in the piece, in your collection, and why?
I respond much more strongly to pieces that have inscriptions. It is possibly my strongest criterion (after sheer beauty of course!). This piece has two dedications making it even more delectable to me. I am also attracted to pieces that are dedicated to the young and/or unmarried. This ring is dedicated to a Miss Tylor 1797 and Miss Jane Tylor 1804. The condition of the ring is very good, most particularly the pearls are very white and lustrous and appear to be untouched. The ring is sound, solid and weighty. The split shoulders and ribbed band is a typical Regency era design. The mille-grain detailing on the bezel represents fine craftsmanship. The woven hair is blonde (rarer), the glazing thick and clean.
Do you hear my felt-tip ticking the boxes?
Accurate dating is also a detail that appeals to me in a piece of jewellery because I enjoy researching the history of its time and, if I am very lucky, the subject or owner. This ring comes in its original box. Rundell & Bridge were very popular fine jewelers in the Regency period. Interestingly, Rundell & Bridge were appointed official Royal Jewellers in 1797, the same year Miss Tylor passed away. In the ring box there is printed on the interior silk a royal crown atop the jeweller’s logo. One can be confident therefore that this ring was made in 1797 or later. Possibly due to the placement of the inscriptions we can further assume that it was purchased in 1805 or shortly after, to fit both inscriptions so comfortably. I have a number of clues here so there is opportunity for me in the future to more thoroughly research the Miss Tylors.
Decision making 101? Know thyself…okay, that might prove too difficult, but at least know your collection criteria!
P.S. I am happy with my choice.
– Marielle Soni