
Neoclassicism vs Christianity in a Bracelet Clasp from the Late 18th Century
Two of the greatest art styles to affect mourning and sentimental jewellery are neoclassicism and romanticism, looking back to classical ideals, a renewal of antique art and thinking, which permeated through to architecture and even literature.
This example holds the words ‘Not Lost But Gone Before’ and exemplifies this style, with its urn (harkening back to the Greek style and draped for mourning), though it is trapped in a contemporary setting of a church and cemetery. Painted with sepia and hair, this is a beautiful example of its form and time.

‘Though Lost to Sight, To Memory Ever Dear’ Miniature Eye Portrait Bracelet
I’ve written quite a bit about eye miniatures and their use in mourning and sentimental jewellery. These are one of…

Spotlight On: Bracelets
Popularity of the bracelet worked well with the neoclassical movement of the latter 18th Century. The size, and reliance on…

Spotlight On: Tight Weave Bracelet
As previously stated, depending on the weave, hairwork can stretch to the size of the wearer. This particular bracelet is…

Spotlight On: Hairwork Bracelet
Certain weaves in hair jewellery stretch to fit different sized areas (such as the neck or wrist). This seemingly small…

Spotlight On: 19th Century Hairwork Bracelet
Hairwork bracelets are popular forms of sentimental and mourning jewellery, being always fashionable and relatively cheap to produce. As much…


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